Onwards.

Colin Fleming composes fiction and writes on a myriad of subjects—sports, art, architecture, literature, jazz, dance, history, classical music, film, and rock and roll. His work has appeared in Slate, The New Yorker, The Atlantic, Rolling Stone, Tin House, The New York Times Book Review, The New Criterion, The Believer, BookForum, ARTnews, ESPN The Magazine, Salon, Time Out New York, Nerve, The Smart Set, The Village Voice, The American Scholar, The Guardian, The Times Literary Supplement, MOJO, Salmagundi, The Word, JazzTimes, Gramophone, Esquire.com, Architectural Record, Spin, DownBeat, Azure, The LA Times, PopMatters, The Boston Phoenix, The Wilson Quarterly, Vibe, Art In America, Fanfare, Art New England, The San Francisco Chronicle, The American Interest, Film Comment, Metropolis, Seattle Weekly, The Brooklyn Rail, Sight and Sound, Rain Taxi, The Oxford American, The Washington Post, Bright Lights Film Journal, The Missouri Review, The New Statesman, The Nation, The Weekly Standard, The New Haven Review, The Northwest Review, Smithsonian, World Literature Today, The Boston Globe, and many other publications. His short stories have recently appeared in—or are forthcoming from—The Iowa Review, The Hopkins Review, Boulevard, L Magazine, AGNI Online, The Republic of Letters, the forty-fifth anniversary issue of TriQuarterly, The Southampton Review, PEN America, Gargoyle, Black Clock, Joyland, New York Tyrant, Slice Magazine, and The Massachusetts Review. He has recently completed a story collection called Between Cloud and Horizon: A Relationship Casebook in Stories, and is at work on two novels. One, The Freeze Tag Sessions, is about a gifted young pianist. The other, Padraig and Lorcan, or, The Gentleman Rogues, is about the art of crime and friendship.